My brother-in-law, niece and I recently went to a concert. (If I was cool, I would say I went to a gig, but I’m not really cool!)
We set off in the car in the dark and wet, looking forward to a good night out.
My brother-in-law had done his research. He had been told by the venue staff member he spoke to that there was some disabled parking at the front of the building and a car park at the back with disabled parking. Predictably, the parking at the front had all been taken by the time we arrived, so we set off to look for the alternative.
There it was: a long-stay car park with some spaces reserved for disabled “blue badge” holders.
I have mentioned before that I have some mobility issues. My brother-in-law had been told there was level access from the car park to the venue.
Now, when you hear the words “level access”, I wonder what comes to mind? A nice, straight, smooth path, perhaps? Maybe something a little less perfect but still navigable by arthritic or wheelchair-bound people?
This was neither. This “level access” consisted of steep ramps and steps! In what universe does “level access” include steps?
Fortunately, I can cope with steps, provided there aren’t too many and they aren’t too steep, but a patron in a wheelchair would have found this path nearly impossible.
So, what went wrong?
Did the person my brother-in-law spoke to not know how difficult the route was and just say what she thought the customer wanted to hear? Had she been given the wrong information by another member of staff? Did she genuinely think steps didn’t matter?
It is very important for venues to give out accurate information. It is also important that the information is easy to find.
To digress: a few years ago, I went to The Doctor Who Experience when it was in Cardiff Bay. The only telephone number I could find to enquire about access issues turned out to be a call centre whose staff could give me no venue-specific information at all.
When we got there, my escort helped me to touch the exhibits but we were admonished by a member of staff. We explained that I couldn’t see. They said we should have phoned in advance and they would have made suitable arrangements for me. I said I had tried to.
The staff running the exhibition turned out to be lovely people who let me touch most of the objects on display. I even got to stand in a Dalek and pretend to shoot people, so all was well in the end!
Back to the gig. (See, I can be cool when I want to.)
We eventually got inside the venue. The theatre was nicely appointed but soon another issue arose. My niece took me to the disabled toilet and while she was waiting for me, an able-bodied lady came and queued up. After a minute or two, this lady realised she could use other facilities not specifically designated for the disabled and off she went.
Now, I’m not the sort of person who would stand in your way if you were desperate and the only available toilet was the disabled one. However, you might bear some points in mind. Some people have conditions that mean they take longer in the loo than most people. If they have been prevented from using the disabled facility because an able-bodied person has nipped in there, they can, and have been known to, miss the start of the concert. You might think this is a trivial matter but if too many able-bodied people use facilities designated for the disabled they can be causing disabled people real distress or putting them at a disadvantage.
Okay, lecture over! Let me tell you about the music.
Joshua Lee Turner is a young, multi-talented singer/songwriter who has a hit channel on YouTube called Josh Turner Guitar and a passion for the music of Paul Simon. He’s currently touring the UK with a band and the South African Cultural Choir in a show entitled Graceland: Live and that’s what we went to see.
In the first half, they performed a number of Paul Simon songs and the South African Cultural Choir sang some amazing numbers from their home country with all the energy and enthusiasm we have come to love since Ladysmith Black Mambazo first found their way onto our CD players.
In the second half they performed the entire Graceland album and did two encores. It was fabulous and if the show comes to a venue near you, I can thoroughly recommend it.
Just as a post script: I noticed that there were two auditoriums at the venue and in the other one The Girl on the Train was being performed. Coincidentally, I had two lodgers from the same production staying with me two weeks ago. It’s a small world!